My pieces are attempts; attempts to create individual sound worlds that speak for themselves, existing on their own terms and conditions.
I am very concerned, possibly obsessed, with the shapes and durations of my pieces. For me, durations have personality and character, similar to how certain chords and certain sounds have character. A six-minute piece speaks differently than a 30-minute piece, and I have found much pleasure in exploring these differences. Furthermore, I am interested in questioning and challenging the notions of beginning and ending. I often do not intentionally end my pieces, preferring to allow them to stop on their own. I believe that this approach brings a satisfying ambiguity to both the creation of the work and the final product.
I am influenced by the compositional techniques found in all arts as well as in music. I enjoy attempting to mirror the structural divisions of novels and the immediacy of painting. Though my approach to creation is interdisciplinary, I believe in absolute music and do not concern myself with depicting or recreating emotions, stories, or narratives. Rather, I find beauty in simply experiencing sound as it passes through time. My music, my creative need, is an attempt to bring reflection and commentary on this belief.